The teachers of our school
PHILIP RADICE
He is an American theater actor, theater director, author, and theater teacher, founder and director of the Atelier Teatro Fisico and of the PAUT – Performing Arts University Turin, bringing a Physical Theater school and a comprehensive, customizable program for professional performance arts training to Italy for the first time.
He studied with C.Caux (former teacher at the École Internationale de Mimodrame de Paris Marcel Marceau), a student of L.Pitt (San Francisco, California) and of the Dell’Arte International School of Physical Theatre (Blue Lake, California).
He moved to Paris in January 1980 to attend the Jacques Lecoq International Theatre School, where he graduated in 1982. In 1984 he arrived in Turin, where he settled.
In 1985 he was one of the founders of the Dizziacs Theatre Company with which he toured several times in Europe.
Teaching: Physical Theatre / Theatrical Creation / Study of Comedy / Direction and Staging
GIORGIA DELL’UOMO
Graduated in 2012 from the University of Rome 3 as a Professional Community Educator with a thesis on the history of clowning in the artistic field and in social contexts.
Enrolled in the third year of the Advanced School of Counseling with a focus on Psychosynthetics.
A graduate of the four-year Performing Art University program at the Philip Radice Theatre Fisico Atelier, Turin, she is currently a teaching assistant and teacher at the Atelier.
He trained and deepened his study of clown in particular with: Jean Meningue (2009-2017), Vladimir Olshansky (2009), Emmanuel Gallot-Lavallèe (2011), Miloud Oukili (2012), Giorgio Donati (2014), Philip Radice (2014-2016), Rita Pelusio (2014), Jef Johnson (2016), Antonio Villella (2016-2020), Tardito/Rendina (2018-2019), Pierre Byland (2018), Gabriela Munoz (2019), Hilary Chaplain (2021), Hélène Gustin (2022).
In 2017 she took part in the 140-hour professional course “Comedy and Entertainment” led by André Casaca and in 2022 she won the “Call for scholarships for artistic residences” at the Teatro C’Art, again under the guidance of André Casaca.
Over the years, she has deepened her studies in dance, sensitive dance, and especially dance theater with Doriana Crema. She is a trainer at the Educators Without Borders association, where she regularly holds workshops on the importance of the body, movement, and theater in educational practice. She has led clown and physical theater projects in social settings in Italy, Romania, Albania, Honduras, and Brazil. From 2006 to 2017, she worked as a hospital clown.
Actress from 2007 to 2012 at Tetraedro Theatre Company directed by Francesco Cerra in the shows: Il tempo ritrovato (2007-2012), Mother Language (2008), Domino (2009), Tempus est iocundum (2009-2012), Alice in the city (2010), The Wizard of Oz (2010), Le voci del bosco (2011), Quadrature (2011-2012), Attese (2010-2012).
Actress in the show “I progenitori” by Atelier Teatro Fisico, directed by Philip Radice (2014), clown at the Circo Soluna, in Slovenia, from June to September 2017. In 2018, together with Silvia Borello and Giulia Rabozzi, she founded the company The Clown Angels and in 2021 she debuted with the clown and physical theatre show “Bang Bang!”.
Teaching: Approach to Physical Theatre / Physical Theatre
DAVID ACCOSSATO
He is a tap dancer, teacher, and choreographer. He began studying classical dance (Vaganova method) with Cristina Trinchero and jazz dance with Paolo Ravera. He continued and deepened his jazz studies at Steps on Broadway in New York with Richard Pierlon.
Her tap training began in Turin with teacher Margherita Marasigan and continued with an eight-month intensive at Steps On Broadway in New York, specifically under the guidance of Charles Goddertz, Jeff Shade, Claudia Rahardjanoto, Derek Roland, Lynn Schwab, Scott Thompson, Lesley Lockery, Andrew Nemr, Lisa la Touche, and Ray Hesselink. She also spent another nine months at the LUTHIER dance school in Barcelona with teachers Guillem Alonso, Ruben Sanchez, Roser Font, and Laia Molins.
She performed in Mario Restagno’s musical “Gloria Pax in Terra,” Verdi’s operetta “Ballo in Maschera,” and several shows with Paolo Ravera’s Dance Session Group. She performed in Turin at the opening of the 2006 Paralympics and the opening ceremony of the World Fencing Championships, and in a tap solo on Raffaella Carra’s program “Gran Concerto,” broadcast on RAI 3.
Tap dance instructor at MAS Music Art & Show in Milan, at the CARMA Academy in Turin, at the LAB School in Turin, and at the Capogiro Musical School in Fano. Choreographer for the Casa Bit Musical Company in Turin and the Neverland Musical Company in Fano.
In 2017, he taught tap at the Escuela Luthier in Barcelona, taught and performed for the Ajkun Ballet Theatre in New York, and in 2018 taught tap at Steps on Broadway in New York.
Also in 2017, he was awarded best dancer at the Fini Dance Festival Alto Jonio Dance Award and is the organizer of the Turin Tap Festival, the first international tap dance festival in Turin.
Teaches: Tap Dance
DANIEL APONI
Born in São Paulo (Brazil), Dani owes his initial training to classical and contemporary ballet, which lasted from 2010 to 2015 at the Instituto di Ballet Classico Marcia Helena.
Performing in 2014 in the company “BIZ Cia di danza”, Dani gradually moved from dance to the world of theater and circus, starting first as a juggler, and then later approaching and specializing as a hand-to-hand porteur and acrobatic holds.
Having moved to Italy in 2015 to continue his circus training, Dani arrived in Turin, where he increased his personal knowledge by attending the FLIC Circus School, graduating as a Chinese Pole aerial acrobat.
CARLOTTA BASSO
Artist and teacher, she graduated in 2024 from the École Internationale de Mime Corporel Dramatique in Paris, where she specialized in corporeal mime using the technique of Étienne Decroux.
She previously consolidated her foundations in Turin at Philip Radice’s Atelier Teatro Fisico, attending the mime and pantomime course.
Over the past few years, she has furthered her training by participating in various workshops, including “Le théâtre Burlesque” with Jean-Claude Cotillard and “Le mime” with Benoît Turjman.
From 2022 to 2024, she actively participated in the public evenings organized by the École Internationale de Mime Corporel Dramatique in Paris.
In 2024, collaborating with Luis Fernando Nicolosi, whom he met at the school, he founded the Hoya Collective, with which he participated in several festivals and premiered their work at the Théâtre Victor Hugo in Paris for the evening “La Nuit du Geste.”
The Étienne Decroux technique remains the cornerstone of his artistic practice, where the quality of movement and the intention behind each gesture are central to his ongoing expressive research in the field of corporeal mime.
Teaching : Corporeal Mime
ORNELLA BAVARO
Born in Puglia, after experimenting with various disciplines and sports, she showed a great interest in theater and performance.
She began her professional artistic career with JDC, a young contemporary dance and performance company based in Bari and Malta. Meanwhile, she graduated in Modern Philology, following her passion for literature.
She continued her professional artistic training abroad, first in Budapest (BDT) and then in Krakow (KDT).
She participated in various performances, workshops, projects, and residencies, collaborating with well-known names on the national and international scene.
She now lives in Turin, teaches Kundalini Yoga (Kundalini Yoga Research Institute) and collaborates as a performer with the Tecnologia Filosofica company (Turin).
She graduated in performing arts from the Atelier Teatro Fisico in Turin and is currently co-author and performer of two physical theater projects: Karaoke Tomato Ketchup (2023) and Tonia: una fiaba di provincia.
Butoh dance remains one of her greatest interests.
Teaching : Dance Fusion Lab
GIACOMO BISCEGLIE
He is an actor and author. He trained in ancient Greek theater and Commedia dell’Arte at the Aidas Theatre in Versailles, directed by Maestro Carlo Boso.
He completed a three-year training course as a narrator at the Casa Teatro Ragazzi e Giovani in Turin under the direction of Maestro Guido Castiglia.
In 2017 he co-founded the Italian-French company PrismaTeatro, and for years has also collaborated with Teatro della Juta and Atelier Teatro Milano in the creation and performance of shows.
He lives in Turin, holds a first Dan black belt in judo, and has a degree in foreign languages and literature.
Teaching : Stage Combat
SILVIA BORELLO
Clown and Performer, fascinated by the union between different expressive languages, she carries out research that unites dance, theater and clowning.
Born in Turin, she studied dance from a very young age, obtaining the Advanced 1 RAD Diploma in 2010. In 2009, she decided to further her artistic education by enrolling at the Bernstein School of Musical Theater in Bologna, where she graduated in 2013.
Among the shows he has performed in: Company, Spring Awakening, Les Miserables, Into The Woods, The Wild Party, and Musicals in Concert. In 2016, after a short workshop with Willy the Clown (a teacher and director with whom he still collaborates), he discovered clowning and has since sought to explore every aspect of it from an educational and performing perspective, performing in the shows: Wo ist Bjiorn? and ClownLastShow.
Since 2018 he has been part of the company “The Clown Angels”, with which he debuted in 2021 with the show “BANG BANG!”
Since 2020, she has led theater workshops for early childhood, adolescents, and adults, also collaborating with I Franchi, a social promotion association.
In 2023 she attended the annual course in psychosynthetic counseling skills at the Turin Higher School of Counseling and in 2025 she obtained the certificate as an operator3 in cultural processes through dance.
He is currently working with Valentina Lisi and Costantino Orlando on the show “E SEL?”, a show of shadow theater, clowns, dance and live music, aimed primarily at early childhood.
Teaching : Dance Fusion Lab
FLAVIA CHIACCHELLA
A trained pianist and passionate singer, she graduated in theory and solfeggio at the Perugia Conservatory and studied classical and jazz piano.
In 2011, her encounter with Luisa Cottifogli opened her eyes to exploring the voice, and she joined her “Orchestra Vocale del Sabato.” From there, she developed a wealth of experience in polyphony and vocal improvisation.
She met Oskar Boldre, her teacher to this day, and for five years she was part of his vocal orchestra ‘Ancore d’Aria’. With him, she studied and deepened her knowledge of the voice as an instrument and vocal improvisation.
He then studied with Bob Stoloff, Anita Daulne, Joey Blake, David Worm, Faraualla, Albert Hera, Charles Raszl… the most significant experience, however, was certainly meeting Rhiannon and moving to Hawaii for 3 months in 2018 to study with her.
Since 2017, he has founded and directed Comicoro with Silvia Laniado , where they combine vocal improvisation, polyphony and comic techniques applied to singing.
She is currently training as a host of Circlesong with Oskar Boldre and is part of the vocal project ‘Marilena Anzini e Ciwicè’ on their second album.
Teaches : Singing
DOMENICO CIANO
Percussionist, body percussionist, tap dancer, and street performer,
Domenico discovered the world of rhythm at the age of eight. His first instrument was the Egyptian darbuka, which he studied for about ten years (1997–2007) with maestro Tarek Awad Alla.
In 2010, he began studying classical drums with maestros Mario Bracco and Gaetano Fasano. Between 2012 and 2015, he explored Brazilian percussion with maestro Gilson Silveira and took part in Comunicato Samba.
In the two-year period 2016-2017 he studied at Philip Radice’s Atelier di Teatro Fisico: here he dedicated himself to learning physical theatre with Philip Radice, body percussion with Anselmo Luisi and tap dance with Cristina Molinari.
Fascinated by the musical potential of the body, he continued his studies in tap dance with Davide Accossato and body percussion with Peter Nielsen Stavrum, Keith Middleton and Sarah Lasaky (STOMP company), Charles Raszl (Barbatuques), Tupac Mantilla, Santiago Vazquez, Salvo Russo and Özgü Bulut.
Since 2017, he has been performing body percussion in theaters and cabarets. He also continues his work as a street performer with the solo show “RITMO,” featuring object percussion, tap dancing, and clowning.
Teaching: Body Percussion
MATTEO CIONINI
He is a professional actor and mime.
Graduated in Art, Music and Entertainment at the University of Bologna, at the Advanced Course in Nouveau Cirque at the Bologna Theatre School and at the Performing Arts University of Turin directed by Philip Radice.
He perfected his training in Mime and Gestural Theatre with masters such as Patrizia Besantini, Yves LeBreton, Steve Wasson and Corinne Soum, Johnny Melville, André Casaca, Familie Floz and many others.
Since 2002, he has taken his shows all over the world: his experience in the field ranges from classical theatre to street art, from children’s shows to new circus, from experimental theatre to performances for large events.
This versatility has generated a vision of Gestural Theatre as a universal and transversal language, the essential common denominator for any genre and performance style.
His research in teaching began in 2008, and has consolidated over time through collaboration with many national training institutions.
Teaching: Mime and Pantomime / Object Theater
PAOLA COLONNA
A dancer, trainer, and choreographer, she founded Rapatika in 1984 as a dance company and has since then worked to spread, promote, and enhance contemporary dance in Piedmont.
In 2002, he created La Piattaforma, a Piedmontese research dance festival with the Didee Association, and in the same year founded the Coorpi Coordinamento Danza Piemonte.
She manages Gene5, a studio in Turin that hosts dance, yoga, taichi, children’s courses, internships, workshops, rehearsals and art meetings.
The aim is to cross-fertilize dance with other disciplines, places, and non-traditional contexts.
Teaching: Contemporary Dance
DORIANA CREMA
In the artistic field he trained mainly with Anna Sagna (following the training for operator in the field of body expression) with Claude Coldy (sensitive dance) Raffella Giordano (dance-theatre/dance) Danio Manfrdini (theatre).
Over the years he has attended several seminars with choreographers in Italy and abroad.
Furthermore, she trained as a psychosynthetic counselor and attended the Academy of Psychoenergetics.
MATIAS GODOY DÍAZ
He is a Chilean teacher, coach, and contemporary circus artist specializing in artistic gymnastics, hand-to-hand, and acrodance. He graduated with a degree in Pedagogy in Physical Education and Health Sciences from the Universidad Mayor of Chile in 2017 and worked as an artistic gymnastics coach at the Universidad Metropolitana de Ciencias de la Educación (UMCE) from 2013 to 2018, developing innovative methodologies with both grassroots groups and elite athletes.
In 2019, he moved to Italy to specialize in Mano a Mano and Acrodanza at FLIC Circus School. From 2021 to 2024, he worked on the SLIP Project, teaching Basic and Advanced Acrobatics to adults and adolescents. Since 2022, he has collaborated with Casa Circostanza, where he continues to teach Acrodanza, developing an adapted and constantly optimizing methodology. In 2024, he began teaching Artistic Gymnastics at Vertigimn.
Matías is deeply committed to research and exploration of movement. His approach aims to creatively integrate these disciplines with physical and artistic training, aiming to promote the holistic development of his students.
Teaching: Body Sculpt
SILVIA LANIADO
She is a comedian, actress, and vocal instructor. She pursues an artistic career in which she experiments with all aspects of her voice: opera, jazz, folk, monologues, readings, and clownish vocal sketches.
He founded the company “Le due e un quarto” with which he presents shows that combine comic theatre and puppet theatre at festivals and theatres around Europe and the world, and the company “Trio Trioche” with which he interprets and revisits classical music and opera pieces in a clownish key.
Alongside her artistic career, she develops a pedagogy for teaching vocality based on the Mod.Ai Methodology, vocal improvisation, and other approaches she encountered during her training.
Teaches: Singing
DOMENICO LANNUTTI
He is an actor, comedian, magician, teacher, author, director, trainer, and a graduate of economics. He has attended several schools and workshops: theater, commedia dell’arte, cabaret techniques, comic histrionics, theatrical clowning, buffoonery, character development, and illusionism.
He has performed in numerous comedies, playing various roles. He has appeared on national and local television and radio programs. He was a member of the Gnorri troupe led by Natalino Balasso and has received numerous awards as an actor and comedian.
He has had experience in cinema and with Buongiorno (Bekafilms) he was the protagonist of the most awarded short film in the history of Italian cinema.
Testimonial for the television series CSI: Las Vegas for Fox International Channels (Italy, Europe, Asia)
Teaches: Comic Writing
RICCARDO MAFFIOTTI
Curious by nature. I am a journeying artist, actor, dancer, and performer. I teach Theater, Sensitive Dance®, Textual Study, and Diction. I have a degree in Sports Science.
I’m ambidextrous. I train every day to raise the bar, on stage and in life.
Being: a word, a verb, an attitude, a pedagogy. I am here, I am a life movement that embraces pedagogy, relationships, and a connection with the body and sound, intertwining artistic work and teaching.
Being: my point of arrival in continuous departure.
Teaching: Diction / Text Study
IGOR MATYUSHENKO
He was born in Tashkent, Uzbekistan, in 1968. He first became an acrobatic champion in the then-Soviet Union, then encountered the circus world and began touring the world. He won his first medal almost immediately, at 18: he won three in total, awarded to him by Gorbachev.
In 1989, he earned the Master of Sport in the Soviet Union, the highest honor in the field. He traveled to India for seven months, teaching children at a local circus, and within a few months, he brought them to excellence. He subsequently worked in Damascus and Aleppo, again as an acrobat.
He won the bronze medal at the World Festival in Red Square in Moscow, then on tour in Ukraine he met the love of his life, a dancer named Victoria, and finally landed in Italy, in Cesenatico, where he worked for four years at the Accademia d’Arte Circense, the first circus arts academy in Italy. In the 2000s, he moved to Turin.
Teaching: Acrobatics
MARIA MESSINA
Composer, arranger, and singer. She graduated with honors from the Master’s Degree in Pop-Rock Composition at the “G. Verdi” Conservatory in Milan, after earning a Bachelor’s Degree in Jazz Singing at the “G. Ghedini” Conservatory in Cuneo. She studied singing with Alessandra Patrucco and Magda Koczka, arranging with Gianni Negro, Gianluca Tagliazucchi, Oscar Del Barba, and Stefano Maccagno, and choral conducting with Dario Tabbia.
She taught singing and piano and guitar accompaniment methods for singers and held courses in ear training, choir, small vocal ensemble, and band at various schools. She then decided to focus her artistic and teaching activities on the choral field, with a particular focus on writing and arranging repertoire for vocal ensembles.
Since 2017, she has led an a cappella singing workshop at the “EFdall’Abaco” Conservatory in Verona.
He founded the amateur choir InTheCoro and the small vocal ensemble Vocoder, both of which were created as a space for artistic exploration and collective growth, for which he oversees all the arrangements.
She has composed music for short films and theatrical performances, as well as continuing her career as a singer-songwriter (she has recorded three albums to her credit: “Never walking shoes” – 2011, “Non siamo mai quelli di una volta” – 2018, “Reflusso di coscienza” – 2022, for which she wrote the music, lyrics, and arrangements).
Teaches: Music and musical culture
ALDO RENDINA
He trained as a dancer and over time became interested in acting and clowning. His past career owes much to choreographers Roberto Castello, Doriana Crema, Claude Coldy, and Anna Sagna. He developed particularly within the Sosta Palmizi Association, dancing in Senza Titolo, Quore per un lavoro in divenire (Ubu Prize 2000), … et anima mea by Raffaella Giordano, and Pasatua by Giorgio Rossi. Together with Federica Tardito, he created the Tardito/Rendina company, sharing the taste and pleasure of exploring the various forms of irony at the heart of their poetics.
Among his most notable performances are Gonzago’s Rose, Circhio Lume, “Oh Heaven” (Il Paradiso possibile), Il Compito, Sonja, and SWAN. Directed by Bruno Franceschini, “L’anatra, la morte e il tulipano” (Eolo Award 2015) and “Tempo,” both children’s shows. Recent collaborations include the performance with the LENZ Foundation in ILIAD # 1 CAVALLI. He was Virgilio Sieni’s assistant for “Altissima Povertà” and “Torino|BALLO 1945_Grande cammino popolare.”
He has participated on several occasions in Doriana Crema’s research project “Solitudo.”
He created the stage movements for the children’s show SOLI by the Panedenti Company. In collaboration with Federica Tardito, he created some choreography for the Netflix series Luna Nera.
For years, he has been teaching dance, theater, and clown, while also cultivating the practice of mindfulness and craniosacral massage. He occasionally appears in films and TV series, a career parallel to his profession as a dancer.
Teaching: Dance Theatre
JOSEPH RICCIARDI
Born in Andria (BT) on July 7, 1991, he trained at Philip Radice’s Atelier di Teatro Fisico, completing a 4-year course at the Performing Arts University of Turin.
In 2013 he founded the duo “Gilet e Salopet” with which he participated in various festivals and took part in the 2016 edition of “Tu Si Que Vales”
In 2013 he founded the Antica Bottega di Improvvisazione group with which he performed for 4 years.
In 2016/17 he took part in the “Laboratorio Zelig Torino”.
In 2016 he founded the group “Comici in Piedi”, a collective of monologist comedians, and in 2017 an improvisation company, “Buchi di Gloria”, which are currently active.
Since 2019 he has been on the board of directors of the Torino Comedy Lounge, one of the liveliest realities in the Italian stand-up comedy world.
Teaches: Theatrical Acrobatics , Theatrical Improvisation
MIKE ROLLINS
He is a juggler, comedian, cabaret artist, mime, tightrope walker, presenter, street artist, and director.
Since 2002, he has toured festivals and squares around the world with his comedy circus show “Non è Colpa Mia.” For four years, he performed his mime show “The Monster” in schools in northern Italy.
Together with French artists, he founded the company Les 3 Tetes de Cons – a clown trio that combines object manipulation, object theatre, balancing and dance. Meanwhile, he devoted himself to stand-up comedy and wrote his one-man show “Americano Clandestino”.
He created and served as artistic director for “Non Esattamente Teatro,” a collective of performers from Turin.
He specialized in juggling at the Flic circus school from 2002 to 2005 and at the same time studied theater with Philip Radice, then moved to Paris and then to Brussels to further his training and artistic research.
He currently lives in Turin and continues to explore the use of objects, write monologues, and create new shows.
Teaching: Unusual Juggling / Playing Skillfull
SILVIA SAPONARO
An actress, author, director, and theater educator, her training began with courses at various organizations and associations, including the Fondazione Teatro Ragazzi e Giovani in Turin and the Accademia Nazionale del Comico in Milan, where she acquired the basics of creative writing and humor therapy. She subsequently trained at Philip Radice’s Atelier Teatro Fisico in Turin, where she earned a diploma in Performing Arts University.
She has been on stage since the age of six and, as an actress and author of her own plays, has further developed her artistic career since her high school years, creating and staging shows and performances in various theaters and squares across Italy. She has several long-term collaborations with public and private entities in the Turin area, developing and implementing projects to contribute to the promotion of emerging theater.
It develops and delivers training courses to individuals, professionals, and businesses. It is part of the Le Musichall company in Turin, under the artistic direction of Arturo Brachetti.
Sign: Eureka
SABRINA SCOLARI
The core of her research has always been the study of movement quality. She graduated in the Feldenkrais Method® under the direction of Paul Rubin and Julie Carson in 2015. She has a degree in Art Anthropology, is a dance therapist, and a performer graduated from the Accademia dello Spettacolo.
He trained and worked with Roberto Castello, Mauro Simone, Danny Lemmo and Andrea Battistini, among others.
He leads Feldenkrais® courses, workshops, and internships at the Oasi & Topos center and at Philip Radice’s Physical Theater Atelier in Turin and the surrounding province.
Teaches: Fekdenkrais Method
MARCO SIGNORITTI
He is a Shiatsu instructor graduated from Massimo Boeris’s Sinestesi school. He has been studying and practicing bionatural disciplines since 2010.
After practicing martial arts for years, even at a competitive level, for 6 years I have been deepening my knowledge of the body through Chinese medicine, deep and conscious breathing, and the Wim Hof method.
Everything that promotes the harmonious union of body, mind and spirit falls within my field.
Teach: Body Recovery
VALENTINA SPARVERI
After attending the University of Literature and Philosophy, he discovered circus disciplines, beginning with juggling and fire manipulation in 2012, coinciding with the intensification of his yoga and meditation practices.
In 2014/2015 he attended the intensive course at the Cirko Vertigo School, specializing in balancing disciplines and pair and aerial acrobatics.
She subsequently specialized on an individual level in acroyoga, hand-to-hand, and studied the muscle strengthening and stretching necessary for acrobatic disciplines through the experience of training courses she has been organizing since 2015.
Teaches: Street Art
JACOPO TEALDI
Born in 1986, I’m an actor, mime artist, author, director, and researcher. I work in communications and engagement, and I’m a coach and creative/strategic consultant for companies and artists.
After classical and university studies, I graduated from Philip Radice’s Atelier Teatro Fisico in 2013.
Jacopo Tealdi Art and strategic consulting services are, to date, my main artistic and work projects.
Teaching: Theatrical Marketing
PAOLA TORTORA
Having trained with leading exponents of contemporary Italian and European theatrical research, she embarked on her own artistic career with a strong sense of innovation and experimentation while keeping alive the roots of classicism and myth, which she always evokes in her way of experiencing the stage.
Constantly engaged both in the production of theatrical shows of her own conception and creation, and in careful studies and in-depth studies on the footsteps of the great masters of contemporary theatre (with particular dedication to J. Grotowsky), she founded the Vintulerateatro Cultural Association, training, research and theatrical creation.
The association carries out an intense ongoing theatrical research and experimentation program, which has led to the Allenattore educational project, aimed at professionals, and the Itinerari dell’Essere project, aimed at non-professionals.
Higher education and research programs, active both nationally and internationally, are open to continuous transformation but always focused on everything that moves the visible and invisible of the Actor in relation to Action.
“Constantly intent on a healthy ‘Re-search for Theatre’, with ever-renewed energy and genuine wonder, I aspire and dedicate myself, ‘invisibly’, to the possibility of experiencing new ‘cul(u)res’. Opening myself to a continuous listening to the Other, with a clear and attentive approach, for an authentic sharing of Poetry, Art, and Beauty,… Allenattore is a place of Being through Action, anyone who wishes to be part of it has only one task…learning to give.”
Teaches: Coach
MARCELLO TURCO
He is an actor, drama therapist, and educator.
Since the beginning of his theatrical training, at the Artedrama Teatranza theatre school, he has combined artistic research with personal research, uniting technical-theatrical aspects with social ones.
While attending the Faculty of Educational Sciences at the University of Turin, he deepened his knowledge of the techniques of Boal’s “Theatre of the Oppressed” and social theatre, later graduating from the “School of Training in Theatre-Theatre” directed by Walter Orioli.
In addition to her social work, she continued her artistic training, graduating from the “Performing Art University Turin” directed by Philip Radice and from the “Istituto Mod.AI” directed by Marco Farinella, specializing in vocal research.
Teaches: Voice / Projecting the Voice
FABIO TURINI
Trained as a drummer, he has performed in countless musical collaborations in a wide variety of fields and styles, thanks to encounters with artists from around the world and across diverse artistic disciplines. Over time, these encounters have encouraged him to broaden his tonal and technical possibilities through the practice of various percussion instruments.
He has lived between La Spezia, Geneva, France, Turin, and the province of Imperia, where he taught drums for a long time at the municipal music school in Beausoleil (France).
In Turin, he was one of the founders of the CasataMaluf theater company, writing and performing the music for the show “Ambreto malefica.” He was the percussionist of the Untermenshen trio for the Teatro della Caduta in “Tutti quelli che caduta” for three years.
He was a drummer at the Cirque Bidon.
In Geneva, he worked for the Theatre Spirale, Theatre de Serafin, Theatre de Saint Gervais, and the MI Blanche company.
He collaborates with the Parisian company DecorSonore with the project “Instrument Monument” and is the drummer of the folk group Oggitani
Teaching: Percussion Techniques
ROSA VINCI
Having graduated from the Atelier Teatro Fisico as an actress, she had the opportunity to deepen her artistic skills, taking an interest in the study of lighting technology with the help of expert teachers in the sector (Pierpaolo Nuzzo -Illuminotecnica 2015 and 2016, Dawn Wittke-Lighting Design 2016).
He dedicates his work to the study of light on stage, paying particular attention to the effects of light and color on stage psychology.
Over the years he has collaborated with various companies as an audio/lighting technician and lighting designer, such as Nuovelle Plague Teatro, ATF Company, Donkey flies when fly lies, Alfred the Magician, etc.
Technical director of the 2019 Torino Fringe Festival and official technician of the Atelier Teatro Fisico Potpourri theatre festival from 2016 to today.
Teaches: Lighting Technology
ROBERTO ZUNINO
He has been a professional actor since 1996, a national acting and improvisation teacher, and oversees the creation and direction of improvisation shows, cabaret, short plays, and contemporary plays.
He began his training with the members of the Dizziacs theatre, specializing in comic theatre, closely linked to the Lecoq school (Paris): mime, clown, medieval buffoons, commedia dell’arte, body expression, neutral mask and naive mask.
It completes it through thematic courses and masters related to prose theatre and cinema, video and television acting (ODS Dubbing and Entertainment Operators, DELTAFILM, Centro D, Pentaphone, DAMS Turin).
He works in film and television acting and for three years he collaborated with the RAI 2 children’s TV program as an Actor Coach and Artistic Consultant.
A Corporate Trainer since 1995, he collaborates with various national organizations, companies, and coordinated projects.
Through improvisation and acting techniques, he creates courses in: Team Building, Communication, Public Speaking, Leadership, Active Listening, and Focus on the Common Objective.
Teaching: Theatrical Improvisation